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The Official Black History Thread!!!! (GREAT READ)

 
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PurpleHaze View Drop Down
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Post Options Post Options   Thanks (1) Thanks(1)   Quote PurpleHaze Quote  Post ReplyReply Direct Link To This Post Posted: Mar 01 2012 at 5:18pm
^^she's on my #beblackhistory team.
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Post Options Post Options   Thanks (1) Thanks(1)   Quote purple.chuckz Quote  Post ReplyReply Direct Link To This Post Posted: Mar 02 2012 at 9:46am

Still I Rise   by Maya Angelou

 

You may write me down in history

With your bitter, twisted lies,

You may trod me in the very dirt

But still, like dust, I'll rise.

 

Does my sassiness upset you?

Why are you beset with gloom?

'Cause I walk like I've got oil wells

Pumping in my living room.

 

Just like moons and like suns,

With the certainty of tides,

Just like hopes springing high,

Still I'll rise.

 

Did you want to see me broken?

Bowed head and lowered eyes?

Shoulders falling down like teardrops,

Weakened by my soulful cries?

 

Does my haughtiness offend you?

Don't you take it awful hard

'Cause I laugh like I've got gold mines

Diggin' in my own backyard.

 

You may shoot me with your words,

You may cut me with your eyes,

You may kill me with your hatefulness,

But still, like air, I'll rise.

 

Does my sexiness upset you?

Does it come as a surprise

That I dance like I've got diamonds

At the meeting of my thighs?

 

Out of the huts of history's shame

I rise

Up from a past that's rooted in pain

I rise

I'm a black ocean, leaping and wide,

Welling and swelling I bear in the tide.

 

Leaving behind nights of terror and fear

I rise

Into a daybreak that's wondrously clear

I rise

Bringing the gifts that my ancestors gave,

I am the dream and the hope of the slave.

I rise

I rise

I rise.

 

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Post Options Post Options   Thanks (0) Thanks(0)   Quote RedPanda79 Quote  Post ReplyReply Direct Link To This Post Posted: Mar 05 2012 at 1:10pm
I saw his photo as a child and wanted to go to the North Pole too. One day..


“I was in the lead that had overshot the mark a couple of miles,” Matthew Henson told a reporter in March 1955, relating the moment when, 46 years earlier, he knew he had conquered the world. “We went back then, and I could see that my footprints were the first at the spot.”

“The spot” was the geographic North Pole, the literal roof of the planet. Achieving that distinction had long been the Holy Grail for explorers, adventurers and scientists. Henson’s claim to being the first human to set foot on the Pole on April 6, 1909, has been a sore point with others inclined to believe, as has been insisted for generations, that superstar Arctic explorer Robert E. Peary was the first to reach the Pole.

Over the last century, a growing body of credible evidence has come to the conclusion that 100 years ago today, Henson, not Peary, reached the Pole first. Still the Peary myth remains. That lingering distortion of fact is the result of the combination of the early bloom of our celebrity culture and the persistence of 20th century racial bias. Peary was a star and Henson was black; those two factors merged to virtually eclipse Henson’s role in conquering the top of the world.

Henson’s relatives and others are marking the occasion of Henson’s and Peary’s not-quite joint achievement. Centennial observances of just about anything are a lock for media attention in today’s culture. But honors for Henson, who died in March 1955 at the age of 88, are a tribute to his own longevity and a quiet celebration of the idea that eventually the truth will take hold.

Henson had an edge over Peary in advancing the historical narrative. First, there was the natural advantage of outliving his friend and rival by 35 years (Peary died in 1920 at 63). But the suppression of the Henson perspective during the early years of the Peary mythos has given way to a positive fascination with Henson’s side of the story, a side that has increasingly convinced people that it is the truth.

By the spring of 1909, Henson and Peary had been friends for more than 20 years, since they first met on an expedition to Nicaragua in 1888. An expert navigator who spoke the Inuit language, Henson joined Peary several times on various Arctic expeditions.

It was on one such assault on the North Pole that Peary, Henson and another 22 men, 133 dogs and 19 sleds set off from Ellesmere Island on March 1, 1909.

Henson and Peary had been pursuing the Pole in separate dog sleds, alternating responsibility for blazing trails through the Arctic’s arduous weather. On April 6, the expedition —now streamlined by lighter loads and reduced to Henson in one sled, followed by Peary and four of the Inuit crew in another — made one last assault on the Pole.

Anna Brendle of National Geographic wrote in 2003: “On April 6, 1909, Henson arrived at Camp Jesup, 89°47', 45 minutes ahead of Peary, concluding by dead reckoning that he had reached the Pole. Henson greeted Peary, “I think I'm the first man to sit on top of the world.”

It was probably no idle boast. The acclaimed science writer John Noble Wilford wrote in the New York Times in August 1988: “A new analysis of the expedition diary and other archives, focusing on navigational errors, suspect distance records and inexplicably blank pages in Robert E. Peary's diary, has raised the strongest doubts yet about the credibility of the explorer's claim that on April 6, 1909, he became the first person to reach the North Pole.”

Russell W. Gibbons, a contributor to the Arctic Profiles Project of the Arctic Institute of North America, theorized in a June 1987 op-ed that race may have been the elephant in the room, that Americans were more socially predisposed to the idea of Henson as Peary’s loyal Sherpa, his man Friday, the Sancho Panza to his Don Quixote.

“Henson was an American citizen, but no one, Peary evidently reasoned, correctly, would think of a black man as being eligible to share polar laurels,” Gibbons noted. “The ‘long and close friendship’ of Peary and Henson was not apparent after they returned from their expedition: In the decade before Peary died, he did not see his fellow explorer once, never invited him to his home and made little effort to obtain financial help or recognition for him. Henson read of Peary's death in the newspaper.”

Henson, who worked a number of menial jobs after the expedition, remains an object of fascination, in no small part because of the relative eclipse of his accomplishments. Henson’s 1912 autobiographical account, A Negro Explorer at the North Pole, was republished in 1997.

Original copies were once so rare they fetched between $1,700 and $3,000 each, according to Bradley Robinson, son of Bradley Robinson Sr., who wrote the Henson biography Dark Companion with the explorer in 1947.

Henson was the beneficiary of honors and accolades bestowed, as is often the case, after the fact of the honoree himself. Over the last 20 years, he has been the object of a cascade of recognition. In 1988, at the urging of a dogged Henson champion, Harvard professor Allen Counter, President Reagan authorized the move of Henson's remains to Arlington National Cemetery.

In 1996, the U.S. Navy named the oceanographic survey ship USNS Henson for him. Kevin Hooks’ film Glory and Honor (1998) starring Delroy Lindo and Henry Czerny, also celebrates Henson’s exploits.

In November 2000, Henson became the only person to be posthumously awarded the National Geographic Society’s Hubbard Medal, “for distinction in exploration, discovery and research.” He joined a select group of explorers to have received this prestigious award; others include Sir Earnest Shackleton, Charles Lindbergh, John Glenn, Neil Armstrong—and Robert Peary.

This year, of course, in the centennial, the accomplishments of Henson and Peary have captured the attention of explorers, endurance athletes and thrill-seekers re-enacting Henson’s North Pole expedition on a tour-group basis. One outfit, Polar Explorers, assembled a three-day expedition intended to arrive at the Pole today with guests celebrating with champagne and souvenir photos, after ponying up about $30,000 each for the privilege.

Another centennial expedition is also under way, with three new explorers recreating the 500-mile Henson-Peary route and charting their slow daily progress online.

Aviaq Henson, the explorer’s great-granddaughter, writes on the Matthew Henson Web site that Greenland’s national postal service, Filatelia, will release a commemorative Matthew Henson stamp on June 21, the day Greenland acquires increased self-rule within the Danish Commonwealth. Greenland, colonized by Denmark since the 1850s, was granted home-rule status in 1979.

“The step will be a big event for our history in Greenland,” she wrote.

She also announced plans to trek to the North Pole this month with her father, Vittus Henson, and his brothers, Ajako, Uusaqqak and Qillaq Henson—part of a seriously thriving family tree with sprouts and branches that turn up everywhere.

Even Hollywood. Taraji P. Henson, nominated for a best supporting actress Oscar for her role in The Curious Case of Benjamin Button, revealed in a 2008 interview that the explorer was “my great-great cousin.”

One hundred years on, as the Henson clan celebrates its patriarch, the accomplishments of Henson and Peary are increasingly seen through a lens that rescues Henson from disappearing into the whiteout of wrong but accepted facts. It’s not a revision of history, but a re-visitation of history, one meant to reconcile the differences between the magnetic north of written history with the true north of what apparently actually happened.

Michael E. Ross is a regular contributor to The Root.

http://www.theroot.com/views/black-man-top-world

http://matthewhenson.com/aviaq.htm



Edited by RedPanda79 - Mar 05 2012 at 1:16pm
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Before there was Rosa Parks, there was Claudette Colvin






Few people know the story of Claudette Colvin: When she was 15, she refused to move to the back of the bus and give up her seat to a white person — nine months before Rosa Parks did the very same thing.

Most people know about Parks and the Montgomery, Ala., bus boycott that began in 1955, but few know that there were a number of women who refused to give up their seats on the same bus system. Most of the women were quietly fined, and no one heard much more.

Colvin was the first to really challenge the law.

Now a 69-year-old retiree, Colvin lives in the Bronx. She remembers taking the bus home from high school on March 2, 1955, as clear as if it were yesterday.

The bus driver ordered her to get up and she refused, saying she'd paid her fare and it was her constitutional right. Two police officers put her in handcuffs and arrested her. Her school books went flying off her lap.

"All I remember is that I was not going to walk off the bus voluntarily," Colvin says.

It was Negro history month, and at her segregated school they had been studying black leaders like Harriet Tubman, the runaway slave who led more than 70 slaves to freedom through the network of safe houses known as the Underground Railroad. They were also studying about Sojourner Truth, a former slave who became an abolitionist and women's rights activist.

The class had also been talking about the injustices they were experiencing daily under the Jim Crow segregation laws, like not being able to eat at a lunch counter.

"We couldn't try on clothes," Colvin says. "You had to take a brown paper bag and draw a diagram of your foot ... and take it to the store. Can you imagine all of that in my mind? My head was just too full of black history, you know, the oppression that we went through. It felt like Sojourner Truth was on one side pushing me down, and Harriet Tubman was on the other side of me pushing me down. I couldn't get up."

Colvin also remembers the moment the jail door closed. It was just like a Western movie, she says.

"And then I got scared, and panic come over me, and I started crying. Then I started saying the Lord's Prayer," she says.

'Twice Toward Justice'

Now her story is the subject of a new book, Claudette Colvin: Twice Toward Justice.

Author Phil Hoose says that despite a few articles about her in the Birmingham press and in USA Today, and brief mentions in some books about the civil rights movement, most people don't know about the role Colvin played in the bus boycotts.

Hoose couldn't get over that there was this teenager, nine months before Rosa Parks, "in the same city, in the same bus system, with very tough consequences, hauled off the bus, handcuffed, jailed and nobody really knew about it."

He also believes Colvin is important because she challenged the law in court, one of four women plaintiffs in Browder v. Gayle, the court case that successfully overturned bus segregation laws in Montgomery and Alabama.

There are many reasons why Claudette Colvin has been pretty much forgotten. She hardly ever told her story when she moved to New York City. In her new community, hardly anyone was talking about integration; instead, most people were talking about black enterprises, black power and Malcolm X.

When asked why she is little known and why everyone thinks only of Rosa Parks, Colvin says the NAACP and all the other black organizations felt Parks would be a good icon because "she was an adult. They didn't think teenagers would be reliable."

She also says Parks had the right hair and the right look.

"Her skin texture was the kind that people associate with the middle class," says Colvin. "She fit that profile."

David Garrow, a historian and the author of Bearing the Cross: Martin Luther King Jr. and the Southern Christian Leadership Conference, says people may think that Parks' action was spontaneous, but black civic leaders had been thinking about what to do about the Montgomery buses for years.

After Colvin's arrest, she found herself shunned by parts of her community. She experienced various difficulties and became pregnant. Civil rights leaders felt she was an inappropriate symbol for a test case.

Parks was the secretary of the NACCP. She was well-known and respected and, says Garrow, Parks had a "natural gravitas" and was an "inherently impressive person."

At the same time, Garrow believes attention to Colvin is a healthy corrective, because "the real reality of the movement was often young people and often more than 50 percent women." The images you most often see are men in suits.

Hoose says he believes Colvin understands the pragmatism that pushed Parks to the fore, but "on the other hand, she did it."

Hoose says the stories of Parks and the Rev. Martin Luther King Jr. are wonderful, but those are the stories of people in their 30s and 40s. Colvin was 15. Hoose feels his book will bring a fresh teen's perspective to the struggle to end segregation



Edited by noneyons - Mar 05 2012 at 8:14pm
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Post Options Post Options   Thanks (1) Thanks(1)   Quote indiecat Quote  Post ReplyReply Direct Link To This Post Posted: Mar 05 2012 at 8:41pm
^^^

wow

She also says Parks had the right hair and the right look.

"Her skin texture was the kind that people associate with the middle class," says Colvin. "She fit that profile."

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Post Options Post Options   Thanks (1) Thanks(1)   Quote Eden. Quote  Post ReplyReply Direct Link To This Post Posted: Apr 03 2012 at 10:10pm
the hair!

Princess Ahmose-Meryet-Amon, Egyptian Princess, First Person With Diagnosed Coronary Artery Disease



source @ http://www.medicalnewstoday.com/releases/225694.php
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Post Options Post Options   Thanks (0) Thanks(0)   Quote pattigurlatl Quote  Post ReplyReply Direct Link To This Post Posted: Apr 04 2012 at 12:21am
Thanks for posting that Eden.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Eden. Quote  Post ReplyReply Direct Link To This Post Posted: Apr 04 2012 at 1:02pm


Quote

The original Statue of Liberty was Black.

As pictured it was sent to America from the French as a gift to represent FREEDOM, but of course Amerikkka was not going to have that so they sent it back and the facial structure Europeanized, chains removed from arms, one arm lowered, and a torch placed in the hand of the arm left high.

The bronze pic is the original face of the Statue of Liberty and picture of her foot, shows were she still has the original chains and shackles on her feet TODAY.

The Egyptian history of the Statue of Liberty:

The sculptor of the Statue was a French-born Italian named Auguste Bartholdi. At the age of twenty-nine he visited Egypt and the sublime sculptural legacy of the Black Egyptians left an indelible mark on him.
According to Graham Hancock and Robert Bauval, authors of Talisman: Sacred Cities, Secret Faith, it was during his visit to Egypt that Bartholdi met Ferdinand de Lesseps who was then planning to construct the Suez Canal to link the Mediterranean Sea with the Red Sea. Impressed, Bartholdi thought of making “a gigantic statue of a goddess holding a torch.” This statue was to overlook the canal. However, his plans failed to materialize.

The French engineer Alexandre Gustav Eiffel undertook the construction, although Bartholdi was the designer. The authors cite the Readers Companion to American History, which claims that Bartholdi “‘ Combined elements of the Egyptian Pyramids he admired with his mother’s face to serve as a model for the statue, which he finished early in 1884.’”
In his work Statue of Liberty: First Hundred Years, Bernard Weisberger claims that the giant statue was to be that of the Egyptian goddess Isis. It is a fact that Isis was Black, as was her husband, Osiris. This raises the interesting question:“Was the Statue of Liberty originally conceived to portray a Black woman as some Black historians like Leonard Jeffries (5) have asserted? Indeed, the Cult of Isis was quite strong in France.

It has been said that,“The people of France gave the statue to the people of the United States over 100 years ago in recognition of the friendship established during the American Revolution.”
The Statue was the brainchild of the French historian and politician, Edouard de Laboulaye, who was also the Chairman of the French Anti-Slavery Society. The idea was to sculpt a monument in honor of Black soldiers who were instrumental in the defeat of the Confederacy during the Civil War and thereby ensuring the end of slavery. They mooted the idea to the French Government of presenting a statue to the United States on behalf of the French people through the American Abolitionist Society.

Bartholdi used a Black woman as the model for the original statue, Isis, no doubt. The original model is said to be in France and is black. The American Committee of the Statue of Liberty did not approve of the idea, however, as the issue of slavery was still in favor by the Southern States despite their defeat in the Civil War. When he was first presented with the statue, the U.S. Minister to France claimed that the South might object to the broken shackles.

Bartholdi completed the statue depicting a Black woman with a broken chain of slavery in her left hand and at her feet in 1870. The 151-foot statue was set up in New York Harbor in 1886. A 21-inch model can be found at the Museum of the City of New York at Fifth Avenue and 103rd Street. It was displayed at the Museum on February 9, 2000. The N.Y. Post also displayed the original dark face of the Statue of Liberty on June 17, 1986. Ultimately, the face of the Statue of Liberty was modeled after Bartholdi’s mother, Charlotte Beysser. The 151-foot statue was set up in New York Harbor in 1886.

According to Michael Bradley,“The French Cultural Center (5th Avenue and 82nd Street) has a special “Liberty” edition of the magazine France in which the real story is told and some of the models are illustrated. The original concept was not acceptable, even as a gift from France, and the idea was finally modified into a properly Caucasian personification of “Liberty” before the U.S. would accept delivery.
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Quote

In 1850 seven South Carolina slaves were photographed at the request of the famous naturalist Louis Agassiz to provide evidence of the supposed biological inferiority of Africans.

Lost for many years, the photographs were rediscovered in the attic of Harvard’s Peabody Museum in 1976. In the first narrative history of these images, Molly Rogers tells the story of the photographs, the people they depict, and the men who made and used them. Weaving together the histories of race, science, and photography in nineteenth-century America, Rogers explores the invention and uses of photography, the scientific theories the images were intended to support and how these related to the race politics of the time, the meanings that may have been found in the photographs, and the possible reasons why they were “lost” for a century or more. Each image is accompanied by a brief fictional vignette about the subject’s life as imagined by Rogers; these portraits bring the seven subjects to life, adding a fascinating human dimension to the historical material.

Molly Rogers has published essays on the history of photography, and her fiction has been produced for theater and radio. She lives in the UK, where she teaches creative writing.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Eden. Quote  Post ReplyReply Direct Link To This Post Posted: Apr 04 2012 at 1:20pm




im gettin lazy lol
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