Black Hair Media Forum Homepage
BHM BHM BHM
Summer Hair Takeover Specials
Forum Home Forum Home > Lets Talk > Talk, Talk, and More Talk
  New Posts New Posts RSS Feed - Josephine Baker’s Rainbow Tribe
  FAQ FAQ  Forum Search   Register Register  Login Login
 

Josephine Baker’s Rainbow Tribe

 
 Post Reply Post Reply Page  12>




The Best Human Hair Available with No Service Match

Author
 Rating: Topic Rating: 4 Votes, Average 3.00  Topic Search Topic Search  Topic Options Topic Options
tatee View Drop Down
Elite Member
Elite Member
Avatar

Joined: Jun 09 2006
Status: Offline
Points: 376360
Post Options Post Options   Thanks (0) Thanks(0)   Quote tatee Quote  Post ReplyReply Direct Link To This Post Topic: Josephine Baker’s Rainbow Tribe
    Posted: Apr 21 2014 at 7:28am

its very long


Josephine Baker’s Rainbow Tribe

To prove that racial harmony was possible, the dancer adopted 12 children from around the globe—and charged admission to watch them coexist.

Josephine Baker dancing the Charleston at the Folies-Bergère, Paris. Josephine Baker dances the Charleston at the Folies-Bergère in Paris in 1926.

Photo by French Walery/Creative Commons


Beginning in 1953, almost 30 years after her first successful performances on the Paris stage, the singer and dancer Josephine Baker adopted 12 children from different countries, ranging from Finland to Venezuela. She installed what she called her “Rainbow Tribe” in a 15th-century chateau in the South of France and charged admission to tourists who came to hear them sing, to tour their home, or to watch them play leapfrog in their garden.

This little-known chapter in Baker’s life is an uncomfortable one. “I would begin to tell the story of Josephine Baker, and people would start to laugh,” says Matthew Pratt Guterl, the author of a new book on Baker’s later life, Josephine Baker and the Rainbow Tribe. “And I would start to wonder what that laughter signified.” Guterl, a professor of Africana studies and American studies at Brown University, has in essence written two books in one: the story of Baker’s family, and a meditation on the meaning of that laughter.

Baker was born in St. Louis but moved to France in 1925. Her danse sauvage, famously performed in a banana skirt, brought her international fame. During World War II, she worked for the Red Cross and gathered intelligence for the French Resistance. After the war, married to her fourth husband, Jo Bouillon, she struggled to conceive a child. Meanwhile, her career waned. Guterl’s book is about this period of Baker’s life, as she built her large adopted family, became ever more active on behalf of the nascent civil rights movement in the United States, and re-emerged into fame.


Baker purchased her estate, known as Les Milandes, after marrying Bouillon in 1947. In addition to the chateau, the property boasted a motel, a bakery, cafés, a jazz club, a miniature golf course, and a wax museum telling the story of Baker’s life. As Guterl makes clear, the place was over-the-top, but its ostentation was a political statement. Les Milandes, with its fairy-tale setting, announced to the world that African-American girls born poor could transcend nation and race and find wealth and happiness.

At the center of the attractions were Baker’s adopted children, from Finland, Japan, France, Belgium, Venezuela. During their school-age years, the 10 boys and two girls grew up in public. Just by existing as a multiracial, multinational family, they demonstrated Baker’s belief in the possibility of equality. They sang songs for paying visitors, appeared in print advertisements, gave interviews to curious press, and played in a courtyard in full view of what Guterl describes as “a wall of faces, watching and taking pictures.”

You can see why this chapter of Baker’s story provokes laughter. First, there’s a deep discomfort at her unapologetic marshaling of children to act out her own utopian racial narrative. Second, we think we understand what’s going on here; we see early incarnations of celebrity eccentricities from our own time. In the big adoptive family, we see Angelina or Madonna; in the celebrity theme park, we see Michael Jackson’s Neverland Ranch. “The language of the strange and famous is readily available to us,” Guterl writes in the book’s prologue. “This same easy familiarity makes it harder to understand Les Milandes, not easier, because we rarely allow celebrity egocentrism to be serious or important.”


What would the Rainbow Tribe look like if we took it seriously? Guterl steps back, seeing the Tribe from Baker’s point of view. Baker was always an activist, wielding her international fame in the service of the civil rights movement in the United States. When she visited the States in the 1950s, she demanded that she be allowed to stay at the best hotels and play to integrated audiences.

Another bit of context: The Rainbow Tribe wasn’t the first, or the only, project of its kind. As Guterl notes, large, public, transracial families were a Cold War phenomenon in the United States. At a time when Americans worried about spreading communist influence in Asia, Africa, and Latin America, these “U.N. families,” featuring members from all continents, showed that “everyone, really, could be brought into the Western system.”


Guterl points to 1951 Life magazine coverage of the family of Helen and Carl Doss, a religious couple who adopted nine children, many of whom were from Asian countries; the story of the novelist Pearl S. Buck, who adopted seven children of different races and became a public advocate for interracial adoption; even the early history of the infamous Rev. Jim Jones, who adopted an interracial group that he nicknamed the Rainbow Family and that formed the core of his utopian cult.


Like these groups, Baker’s Rainbow Tribe was the product of careful planning for symbolic value. Children were renamed and raised in different religious traditions so they could be more typical of the racial and national types that Baker had decided should be represented in the Tribe. Some kids received new backstories. Baker wanted an Israeli child, but the Israeli welfare minister refused (telling her, “We cannot sanction taking a child away from Israel when great efforts are being made to bring children to Israel”). Undaunted, Baker adopted a French orphan, named him Moïse (French for “Moses”), and decided that he would be raised Jewish.

By dressing the children up in strong national, ethnic, and religious identities, Baker could make a political point about the human capacity to get along despite differences. In reading the historical record—Baker’s correspondence, contemporary media coverage, other documentation—Guterl found it hard to discern the children’s individuality. “Their voices were significantly less important,” he writes, “than their performance as an ensemble, their presentation as part of a single object.”

The performance was difficult to sustain, however. As her adoptive children aged, Baker ran out of money and was forced to sell Les Milandes. The last few chapters of Guterl’s book, which tell the story of what happened to the Tribe as they grew older, are tinged with tragedy. Baker struggled with health problems and became less relevant to the American civil rights movement as it moved into high visibility in the late 1960s. She still performed, but any kind of rigorous schedule was a strain, and her career couldn’t generate enough money to sustain the large family she had created.

As Baker’s finances crumbled, she moved the Rainbow Tribe to Monaco to live in a less grand home paid for by Baker’s friend and patron Princess Grace. Here the kids, now entering their teenage years and, in some cases, chafing at their public lives, began to resist Baker’s authority. Baker looked for ways to farm the children out to others. Bouillon, Baker’s husband at the time of the adoptions, was now her latest ex; some of the kids went to live with him. Others went to boarding schools. Baker sent a small group—including Marianne (adopted from France), whose teenage love affairs drove Baker to distraction—to live with a longtime Baker fan in the U.K. In perhaps the saddest and most puzzling outcome, when Baker found out that Jarry (adopted from Finland) was gay, she chastised him in front of his siblings before sending him away to live with Bouillon in Buenos Aires.

But Guterl’s is not a book to read if you want to revel in the downfall of what seems like an ill-conceived experiment. The author, who told me that he grew up in a large, multiracial adopted family himself, is close to the subject matter. “This was a very hard book to write,” he told me. While Guterl did interview three members of the Tribe, he resists offering up all of the gory details.

In Guterl’s book, and in other interviews they’ve given, the grown-up adoptees generally remember their childhoods at Les Milandes with fondness. As for their relationships with their mother, they are reluctant to comment. Interviewed by Der Spiegel in 2009, Jarry said, “She was too possessive. We weren’t allow to develop the way we wanted to.” Akio (adopted from Japan) offered a more charitable assessment: “She was a great artist, and she was our mother. Mothers make mistakes. Nobody’s perfect.”

http://www.slate.com/articles/arts/history/2014/04/josephine_baker_s_rainbow_tribe_before_madonna_and_angelina_jolie_the_expat.2.html

here is a more indepth article that include interviews with some of her children:

http://www.spiegel.de/international/zeitgeist/adopting-the-world-josephine-baker-s-rainbow-tribe-a-652613.html



Edited by tatee - Apr 21 2014 at 7:29am
Back to Top
Sponsored Links


Back to Top
femmefatale85 View Drop Down
Elite Member
Elite Member
Avatar

Joined: Apr 13 2009
Status: Offline
Points: 114508
Post Options Post Options   Thanks (1) Thanks(1)   Quote femmefatale85 Quote  Post ReplyReply Direct Link To This Post Posted: Apr 21 2014 at 7:33am
i always thought she was crazy
Back to Top
Sang Froid View Drop Down
Elite Member
Elite Member
Avatar

Joined: Aug 08 2010
Location: Ethiopia
Status: Offline
Points: 296560
Post Options Post Options   Thanks (0) Thanks(0)   Quote Sang Froid Quote  Post ReplyReply Direct Link To This Post Posted: Apr 21 2014 at 7:35am
o_O
Back to Top
tatee View Drop Down
Elite Member
Elite Member
Avatar

Joined: Jun 09 2006
Status: Offline
Points: 376360
Post Options Post Options   Thanks (4) Thanks(4)   Quote tatee Quote  Post ReplyReply Direct Link To This Post Posted: Apr 21 2014 at 7:50am
she used those kids as her own little social experiment.
Back to Top
smartgirl88 View Drop Down
Elite Member
Elite Member
Avatar

Joined: Jun 29 2008
Location: ny/nj
Status: Offline
Points: 14022
Post Options Post Options   Thanks (0) Thanks(0)   Quote smartgirl88 Quote  Post ReplyReply Direct Link To This Post Posted: Apr 21 2014 at 7:50am
I always found her s tory interesting. Wish we had a thread about bkack hollywood during these times
Back to Top
ThatGurlD View Drop Down
Elite Member
Elite Member
Avatar

Joined: Dec 09 2008
Location: Washington
Status: Offline
Points: 40981
Post Options Post Options   Thanks (1) Thanks(1)   Quote ThatGurlD Quote  Post ReplyReply Direct Link To This Post Posted: Apr 21 2014 at 9:11am
I adored Josephine Baker as a child.  I read everything I could get my hands on about her and never read that she charged admission to watch them coexist.  I did find it strange that they called the kids the rainbow tribe but a lot of stuff was weird then.  
Back to Top
melikey View Drop Down
Elite Member
Elite Member
Avatar

Joined: Oct 03 2006
Location: venus
Status: Offline
Points: 97208
Post Options Post Options   Thanks (0) Thanks(0)   Quote melikey Quote  Post ReplyReply Direct Link To This Post Posted: Apr 21 2014 at 9:29am
Didn't know she was homophobic. I find that strange considering how liberal she was
Back to Top
CherryBlossom View Drop Down
Elite Member
Elite Member
Avatar

Joined: Oct 12 2011
Location: London, England
Status: Offline
Points: 355871
Post Options Post Options   Thanks (0) Thanks(0)   Quote CherryBlossom Quote  Post ReplyReply Direct Link To This Post Posted: Apr 21 2014 at 9:33am
madness...seems like she went to great lengths to create her model UN family
Back to Top
yurika975 View Drop Down
Elite Member
Elite Member
Avatar

Joined: Mar 08 2006
Location: United States
Status: Offline
Points: 26580
Post Options Post Options   Thanks (0) Thanks(0)   Quote yurika975 Quote  Post ReplyReply Direct Link To This Post Posted: Apr 21 2014 at 9:43am
I knew about the adoptions but not homophobia or admissions fees. Hmmmm...
Back to Top
Printer_Ink View Drop Down
Elite Member
Elite Member
Avatar

Joined: Dec 29 2011
Location: Amsterdam
Status: Offline
Points: 22453
Post Options Post Options   Thanks (1) Thanks(1)   Quote Printer_Ink Quote  Post ReplyReply Direct Link To This Post Posted: Apr 21 2014 at 9:57am
This is old news folks.

She was one of the firct civit rights activists ... and thst was waaaay before the Black Power movement etc ... so she was pretty much alone in this struggle. Ya'll should read her Biography. When she died 20,000 frenchmen attended hrer service and the French honered her with a 21 gun salute.

As far as her being homophoboic - geesh everyone was homophobic back then.

Can't judge her reactions to things we think nothing of today ... those were different times.

Read her biography. She was the FIRST Black female International star and ran with the likes of Langston Hughes, Ernest Hemingway, F. Scott Fitzgerald, Pablo Picasso, Christian Dior and many, many more.


Back to Top
Get Longer Healthier Faster Growing Hair
Get Healthier Stronger Longer Hair
The Elite Hair Care Sorority
Electric Cherry Hair
Hair Extensions Wefted Hair Wigs and More
Human Hair Wigs
Wefting Training
FAB Hair Premium Hair Extensions
DivaWigs.com
Premium Quality Human Hair Extensions and Closures
 Post Reply Post Reply Page  12>
  Share Topic   

Forum Jump Forum Permissions View Drop Down