Death, a trio of Detroit brothers, pioneered the punk rock movement
Little Richard, Chuck Berry and Ike Turner should be
molded in marble Mount Rushmore style for inventing rock and roll music
in the 1950s. But the kudos for punk rock’s beginnings have always gone
to White bands like the Sex Pistols and the Ramones, with their mohawks,
combat boots and safety pinned motorcycle jackets. Well, not anymore.
The 2012 documentary A Band Called Death (newly available on DVD) tells the tale of Bobby, Dannis and David Hackney of Detroit, whose unreleased 1975 album …For the Whole World to See
undeniably created a punk rock blueprint years before anyone else.
Though Death mastermind David Hackney passed away from lung cancer in
2000, his legacy lives on as his brothers tour Afropunk and rock scenes
around the world.
EBONY.com gave Death its due in a recent interview with the band,
discussing African-Americans’ relationship to rock music and some of the
all-time great Black giants of the genre.
EBONY: In A Band Called Death, you mention the demons your brother David struggled with before his death in 2000. Could you comment on those demons?
Dannis Hackney: David did have demons, and those
creative genius types always seem to come with demons. The last thing
David did for me, he filmed my wedding. All the wedding shots you see in
the movie, that was David filming. David told me after filming my
wedding, “Well man, this is the last time you’re gonna see me.” And I
start: “David, come on man. I’m tryna get married and get prepared for
my honeymoon.” [laughter]
He’s getting philosophical on me and I had to listen to it and take it
to heart. Because you know, your brother he comes to you and he says,
“this is the last time you’re going to see me,” that kind of strikes a
EBONY: Of course.
DH: When they were getting ready to leave, he got in
the car. And my mother was in the car. He told my mother, “When you get
back to Detroit, be prepared to bury one of your sons.” And two months
later, David actually passed away.
All the way up to the end, we had kept making plans about what if we
[get back] together. With Dave’s advanced alcoholism at the time, he
wouldn’t have had the strength to play the guitar like he used to. Or he
probably would have played like he used to, but it would have just been
EBONY: Have you had any musicians that you used to listen to back in the 1970s say that they think Death is great?
Bobby Hackney: I tell you, everybody from the old to
the new. Wayne Kramer [of MC5], Mark Farner from Grand Funk Railroad,
Mos Def, Snoop Dogg. It’s just been incredible, amazing and surreal. We
never thought that anybody would even like the Death music. We went
through so much rejection with the name. Now the music has come back to
overshadow the whole issue of the name, and David said that would
happen. He said, “Everybody’s fixated, preoccupied with the name, but
once they see the music and what we’re doing, then things are gonna
change.” And wow man, he’s really right.
EBONY: I’ll throw out some great names in Black rock music. Tell me what you think of them. First: Prince.
BH: Me and Dennis used to say that Prince was a cross
between Jimi Hendrix and the Funkadelic. And a little James Brown on the
side. [laughs] We thought that what he was doing was great, man.
Especially his guitar playing.
EBONY: Living Colour?
BH: I remember David, when Living Colour first came
out, saying that these guys didn’t have to go through what we did. And
we was glad for them, that an all-Black rock band had finally really cut
through and made it. We were very proud for them.
EBONY: Lenny Kravitz?
BH: Lenny Kravitz was another one that we thought was great. I mean, that first album—
EBONY: Let Love Rule.
BH: It reminded us so much of great rock ’n’ roll
music that was coming out of the ’70s. It was just heart and a lot of
passion and great songwriters. Berry Gordy used to always say, “In
Detroit, a great song always has a story, and when you listen to a song
and it transports you into the story, then you know that’s a great
song.” And Lenny Kravitz has that ability to transport people into his
stories. We were proud of him as well.
EBONY: Arthur Lee and his band, Love?
BH: Love and Arthur Lee… you know what? That’s the one
that might’ve slipped by us. We didn’t interact too much. Our icons
really were Jimi Hendrix, the Chambers Brothers. I thought the Chambers
Brothers was white ’til I saw them on Ed Sullivan.
EBONY: Sly and the Family Stone?
BH: Well, Sly and the Family stone